Vol. 10 No. 2 (2012)

DOI: https://doi.org/10.21709/casa.v10i2

Published: 19/12/2012

Editorial

EDITORIAL

Renata Coelho Marchezan, Cristiane Passafaro Guzzi
- PDF (Português (Brasil))

Papers

THE PLACE OF SYNCRETISM IN MULTICODES LANGUAGES

Waldir Beividas
- PDF (Português (Brasil))
FROM KESSEL TO BUÑUEL AND OLIVEIRA: WHEN FILM RESPONDS TO LITERATURE

Maria do Rosário Lupi Bello
- PDF (Português (Brasil))
MIGUILIM, THIAGO AND THE ROAD

Juliana Santini
- PDF (Português (Brasil))
DES PRÉMIÈRES HISTOIRES À D’AUTRES HISTOIRES: ADAPTATION, MAINTENANCE ET ALTERATION DES FORMES SÉMIOTIQUES

Vera Lucia Rodella Abriata, Naiá Sadi Câmara, Matheus Nogueira Schwartzmann
- PDF (Português (Brasil))
CONFLUENCE OF GENRES IN THE FILM DARK WATER BY WALTER SALLES JR

Sérgio Vicente Motta, Aparecida do Carmo Frigeri Berchior
- PDF (Português (Brasil))
THE NARRATOR AND THE SPACE IN EDGAR ALLAN POE AND JEAN EPSTEIN

Laura Lopes de Oliveira
- PDF (Português (Brasil))
REVISITING THE PAST FROM LITERATURE TO FILM: O SOBRADO AS A FILM ADAPTATION

Mateus da Rosa Pereira
- PDF (Português (Brasil))
ANTÓNIO DE ALCÂNTARA MACHADO WITH A CAMERA: GEOGRAPHIC EXPLORATION AND CINEMATOGRAPHY IN PATHÉ-BABY

Ana Paula Dias Rodrigues
- PDF (Português (Brasil))
FAIT DIVERS EN LA RESIGNIFICATION DE LA VIE

Ana Claudia de Oliveira
- PDF (Português (Brasil))
CULTURAL RUPTURE: AMÉLIA BY ANA CAROLINA

Leonardo Francisco Soares
- PDF (Português (Brasil))
ISOTOPIC NETWORK IN AMARELO MANGA BY CLÁUDIO ASSIS

Cléber Luís Dungue, Tieko Yamaguchi Miyazaki
- PDF (Português (Brasil))
STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE

Grenissa Bonvino Stafuzza
- PDF (Português (Brasil))
DOUBT AND THE TRANSGRESSIVE PATH: ANALYSIS OF A SCENE FROM THE MOVIE DOUBT

Eliane Domaneschi Pereira
- PDF (Português (Brasil))
A READING OF THE EVENT IN THE BLACK SWAN DIRECTED BY DARREN ARONOFSKY

Cíntia Morais Marinho
- PDF (Português (Brasil))
TENSIVITY IN THE PASSION AND IN THE SPACES OF MELANCHOLIA, BY LARS VON TRIER

Natália Cipolaro Guirado, Thiago Moreira Correa
- PDF (Português (Brasil))
THE SEMIOTICS OF NARRATIVE IN TELEDRAMATURGY: THE NARRATIVE LEVEL IN A FAVORITA

Mario Abel Bressan Junior
- PDF (Português (Brasil))
THE IMPRESSIONIST NARRATIVE OF THE WRITER MACHADO DE ASSIS AND THE EXPRESSIONIST ATTITUDE OF THE FILM DIRECTOR LUIZ FERNANDO CARVALHO

Cristiane Passafaro Guzzi
- PDF (Português (Brasil))
THE TEXT-HISTORY-CINEMA INTERSEMIOSIS IN HBO’S ROME

João Batista Toledo Prado
- PDF (Português (Brasil))
THE RAPE OF EUROPA: A COMPARISON BETWEEN OVID AND TITIAN

Márcio Thamos
- PDF (Português (Brasil))
THE CATHARTIC FUNCTION OF SEBASTIÃO SALGADO’S PHOTOGRAPH

Luiz Gonzaga Marchezan
- PDF (Português (Brasil))
BUILT TOPOGRAPHIES: SEMIOTICS HEURISTICS READING OF THREE PROJECTS OF PAULISTA ARCHITECTURE

Evandro Fiorin
- PDF (Português (Brasil))
THE SEMIOTIC METALANGUAGE: BORROWINGS AND REDEFININGS

Jean Cristtus Portela
- PDF (Português (Brasil))
THE PLAY ON ENUNCIATIVE INTERMEDIATIONS IN ALAN PAULS’ NOVEL

Maria de Lourdes Ortiz Gandini Baldan
- PDF (Português (Brasil))
THREE IDENTITIES OF THE AUTOBIOGRAPHICAL DISCOURSE: SOME REFLECTIONS ON PEDRO NAVA’S WORK

Mariana Luz Pessoa de Barros
- PDF (Português (Brasil))
VANITY AND RESENTMENT IN OLD BRAGA

Priscila Rosa Martins
- PDF (Português (Brasil))
THE ROCK'N'ROLL COMPOSITION OF SANDMAN

Rubens César Baquião
- PDF (Português (Brasil))
ANALYSIS OF MULTIMODAL GENRE: BOOK COVER SELF-HELP

Julio Neves Pereira
- PDF (Português (Brasil))

Vol. 10 No. 2 (2012)

Editorial

EDITORIAL

Papers

THE PLACE OF SYNCRETISM IN MULTICODES LANGUAGES

FROM KESSEL TO BUÑUEL AND OLIVEIRA: WHEN FILM RESPONDS TO LITERATURE

MIGUILIM, THIAGO AND THE ROAD

DES PRÉMIÈRES HISTOIRES À D’AUTRES HISTOIRES: ADAPTATION, MAINTENANCE ET ALTERATION DES FORMES SÉMIOTIQUES

CONFLUENCE OF GENRES IN THE FILM DARK WATER BY WALTER SALLES JR

THE NARRATOR AND THE SPACE IN EDGAR ALLAN POE AND JEAN EPSTEIN

REVISITING THE PAST FROM LITERATURE TO FILM: O SOBRADO AS A FILM ADAPTATION

ANTÓNIO DE ALCÂNTARA MACHADO WITH A CAMERA: GEOGRAPHIC EXPLORATION AND CINEMATOGRAPHY IN PATHÉ-BABY

FAIT DIVERS EN LA RESIGNIFICATION DE LA VIE

CULTURAL RUPTURE: AMÉLIA BY ANA CAROLINA

ISOTOPIC NETWORK IN AMARELO MANGA BY CLÁUDIO ASSIS

STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE

DOUBT AND THE TRANSGRESSIVE PATH: ANALYSIS OF A SCENE FROM THE MOVIE DOUBT

A READING OF THE EVENT IN THE BLACK SWAN DIRECTED BY DARREN ARONOFSKY

TENSIVITY IN THE PASSION AND IN THE SPACES OF MELANCHOLIA, BY LARS VON TRIER

THE SEMIOTICS OF NARRATIVE IN TELEDRAMATURGY: THE NARRATIVE LEVEL IN A FAVORITA

THE IMPRESSIONIST NARRATIVE OF THE WRITER MACHADO DE ASSIS AND THE EXPRESSIONIST ATTITUDE OF THE FILM DIRECTOR LUIZ FERNANDO CARVALHO

THE TEXT-HISTORY-CINEMA INTERSEMIOSIS IN HBO’S ROME

THE RAPE OF EUROPA: A COMPARISON BETWEEN OVID AND TITIAN

THE CATHARTIC FUNCTION OF SEBASTIÃO SALGADO’S PHOTOGRAPH

BUILT TOPOGRAPHIES: SEMIOTICS HEURISTICS READING OF THREE PROJECTS OF PAULISTA ARCHITECTURE

THE SEMIOTIC METALANGUAGE: BORROWINGS AND REDEFININGS

THE PLAY ON ENUNCIATIVE INTERMEDIATIONS IN ALAN PAULS’ NOVEL

THREE IDENTITIES OF THE AUTOBIOGRAPHICAL DISCOURSE: SOME REFLECTIONS ON PEDRO NAVA’S WORK

VANITY AND RESENTMENT IN OLD BRAGA

THE ROCK'N'ROLL COMPOSITION OF SANDMAN

ANALYSIS OF MULTIMODAL GENRE: BOOK COVER SELF-HELP

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