Artistic features of discrete structure in german novel
DOI :
https://doi.org/10.29051/el.v7iesp.2.15142Mots-clés :
Fragmentary prose, Discrete structure, Montage principle, Multiperspectivity, Issue of time and memoryRésumé
The article deals with the key stages of the formation and development of German fragmentary prose in the 19th–20th centuries. Using the materials from German novels of the 20th century, the authors analyze the artistic devices that motivate the discreteness of the narrative and determine their artistic function – the manifestation and structuring of aesthetic information. Based on the analysis of artistic devices, the aesthetic content of the discrete novel structure is identified which depends on the writers' worldview. The discrete structure has proven to be a universal art form that has shaped the typological features of the modern novel.
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