The image of the russian journalist M.O. Menshikov evolving in A.T. Averchenko's short stories

Nikolay Igorevich Krizhanovsky; Yuri Mikhailovich Pavlov; Liubov Viktorovna Chernova; Olga Alekseevna Dorofeeva

doi:10.29051/el.v7iesp.5.16028

Auteurs

Nikolay Igorevich Krizhanovsky Kuban State University, Krasnodar – Russia https://orcid.org/0000-0002-2764-7117
Yuri Mikhailovich Pavlov Kuban State University, Krasnodar – Russia https://orcid.org/0000-0002-4416-1127
Liubov Viktorovna Chernova Armavir State Pedagogical University, Armavir – Russia https://orcid.org/0000-0002-9351-1648
Olga Alekseevna Dorofeeva Armavir State Pedagogical University, Armavir – Russia https://orcid.org/0000-0003-4109-5790

DOI :

https://doi.org/10.29051/el.v7iesp.5.16028

Mots-clés :

A.T. Averchenko, M.O. Menshikov, Conservatism, Satyricon, Short story, Linguocultural type

Résumé

The article examines the artistic embodiment and evolution of the artistic image of the Russian journalist M.O. Menshikov in A.T. Averchenko's short stories. The authors select and analyze A.T. Averchenko's texts, including the image of his contemporary – the Russian journalist and writer M.O. Menshikov. The authors reveal the attitude of publicists of the late 19th and early 20th centuries to the personality and professional work of Menshikov, as well as dwell on the specific views of Averchenko. They also comprehend a general attitude towards Menshikov and his contribution to the weekly "Satyricon" magazine. In addition, they emphasize specific artistic techniques for creating the image of Menshikov, consider the author's position, and trace its changes. These changes in Averchenko's attitude to Menshikov in the late 1910s are associated with the worldview evolution of the former editor of "Satyricon" due to historical events and revolutionary shifts in society.

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