Estética corporal na arte e na educação
o conceito de corpo ideal da pintura renascentista aos esportes modernos e à educação física
DOI:
https://doi.org/10.22633/rpge.v30iesp1.20939Palavras-chave:
Estética corporal, Arte, Educação, Educação físicaResumo
Este artigo investiga como a estética corporal evoluiu de um ideal artístico para um constructo ideológico e educacional, interpretando essa transformação por meio de uma abordagem integrada entre história da arte, ciências do esporte e educação física. O referencial teórico articula a abordagem iconológica de Panofsky, a noção de “corpo disciplinado” de Foucault e a crítica feminista da corporeidade de Bordo, a fim de analisar como os ideais estéticos são produzidos, transmitidos e internalizados. Ao articular a análise da história da arte com a sociologia do esporte, da performance e da pedagogia, o estudo propõe uma leitura interdisciplinar da representação corporal como um espaço de poder cultural e educacional. Destaca-se o papel da educação física como mecanismo central de ensino, avaliação e normalização dos ideais corporais ao longo da história. Conclui-se que o “corpo ideal” é um constructo histórico, moldado por tradições artísticas, culturas performáticas e sistemas pedagógicos.
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