Outside within the Frame The rape of sign in <i>Le Viol</i> of René Magritte

Authors

  • Leandro Passos UNESP – Universidade Estadual Paulista

DOI:

https://doi.org/10.21709/casa.v7i2.2222

Keywords:

painting, portrait, photograph, frame.

Abstract

This article proposes to examine how the Belgian painter René Magritte, in his work Le viol (1934) breaks with the painting frame limits and parodies the pictorial portrait gender and artistic nude pictorial.

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Published

19/01/2010

Issue

Vol. 7 No. 2 (2009)

Section

Papers

License

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