ARNALDO ANTUNES’ POETICS “PALAVRA”

Authors

  • Luciane de Paula UNESP - CAs

DOI:

https://doi.org/10.21709/casa.v8i1.2953

Keywords:

poetics, semiotics, Arnaldo Antunes, metalanguage, erotism

Abstract

This article reflects on Arnaldo Antunes‟ (AA) poetics. For this purpose, both the contributions of Fontanille and Zilberberg regarding tensivity, as well as some ideas of Tatit regarding song semiotics. The aim is to think about how the dance between enunciation and enunciate is structured in AA within poetical architecture as exemplified here based on the analysis of the poem “Palavra”. The hypothesis is that the tension between the two central nuclei of the poem, metalanguage and erotism, are the essential compositional marc of AA poetical stylistics. The results lead to the reflection that the musical tension is the game that guarantees the movement between the density of the word and the erotic fluidity of the authorial (metalinguistic) act of production.

Author Biography

Luciane de Paula, UNESP - CAs

UNESP - Universidade Estadual Paulista "Júlio de Mesquita Filho", Campus de Assis - Departamento de Linguística.

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Published

13/09/2010

Issue

Vol. 8 No. 1 (2010)

Section

Papers

License

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