ON WAYS OF FIGURATIVITY
DOI:
https://doi.org/10.21709/casa.v8i2.3320Keywords:
figurativity, perception, body, significationAbstract
In the late 90's of last century and the beginning of this century the concept of figurativity has constituted several discussions into French Semiotic. Observed in the early days of theory as finishing of the text, in the last period was observed as access to the sense.In this landscape figurativity was related to the act of perception and it was instated the perceptual route to meaning, according to research of Bertrand (2000) and Keane (1991), for example. We had then a sort of return to the phenomenology of Merleau-Ponty, ie, the perception as founder of meaning. The works of Fontanille (1998, 1999) and Fontanille and Zilberberg (1998) gave a more discursive contribution to this view, while others pointed to the issue of phenomenological perception. Nowadays, the figurativity is still a focus of interest, however, we must observe it in the reflections of recent studies that investigate the relationship between perception, language and meaning and (re) take the direction of the primacy of discursive molding the perception. In other words, the language in which categorizes its arbitrariness gives the perception of the world. Even if this view was already outlined in Bertrand (2000) in the current discussions there is no claim perception without language, the pure perception.Downloads
Published
11/01/2011
Issue
Section
Papers
License
The authors of the approved papers agree to grant non-exclusive publication rights to CASA. Thus, authors are free to make their texts available in other media, provided that they mention that the texts were first published in CASA: Cadernos de Semiótica Aplicada. Besides, they authorize the Journal to reproduce their submission in indexers, repositories, and such. Authors are not allowed to publish the translation of the published paper to another language without the written approval of the Executive Editors. The authors are totally responsible for the content of the published work.