“Canto Esponjoso”: the construction of the mythical spectacle

Authors

  • Marisa Giannecchini Gonçalves de Souza UNAERP - Universidade de Ribeirão Preto
  • Vera Lúcia Rodella Abriata UNAERP - Universidade de Ribeirão Preto

DOI:

https://doi.org/10.21709/casa.v1i1.568

Abstract

Based on the French Semiotics theory, this paper analyzes the poem "Canto Esponjoso" by Carlos Drummond de Andrade. The aim is that of describing some strategies used by the enunciator to create the referential illusion and the enunciative illusion in the text, showing its pluri-isotopical character.

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Published

05/03/2008

Issue

Vol. 1 No. 1 (2003)

Section

Papers

License

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