Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"

Abstract

This paper presents the continuation of the researches of the author in the field of electroacoustic music language. The basis of the work is a previous confirmation: " the act of hearing music is always accompanied by inconsciousness graphical sketches that mind and intellect exercise on imaginary spaces". In a first part of the research were stablished sonological basis of semantemes of strong emotion type, and of new semantic unities with graphic-space-time relationships, based on language and related to communication. Here the goal is the search of persuasion phenomenon at discourse, i.e. the study of eloquence in eletroacoustic music. Then the paper ends concluding comments on the pertinency of the study, with the identification of rhetoric figures of speech in the electroacoustic musical context. Keywords: Rethoric and persuasion. Musical semantic. Electroacoustic music.