The Matrix Trilogy: Strategies of Syncretic Enunciation in Cinematographic Texts

Abstract

This work presents a consideration about the cinematographic syncretic text. Using The Matrix Trilogy as an example, this work shows the existence of a cinema syntax that is based on the way that Hollywood makes films. This syntax can be understood as one strategy of enunciation which is organized from camera and edition resources, whose mission is to manage the way that the public must feel and react, evidencing or devaluating certain narrative aspects. Keywords: Matrix. Syncretism. Camera. Edition. Cinema.