The passionality of the syncretism in the cinema: <i>Don Juan DeMarco</i>
DOI:
https://doi.org/10.21709/casa.v3i1.603Keywords:
sincretismo, enunciação passional, discurso veridictório, metalinguagem, amor romântico, syncretism, passionate enunciation, veridictory discourse, metalanguage, romantic love.Abstract
Cinema, a syncretic type of text, is a good example of the efficiency of passionate discourse as it establishes, with sound, visual and verbal images, a game of meaningful effects involving its receptor in the utmost emotional aspects of his perceptive capacities. In Don Juan DeMarco it is worth analyzing this kind of game: among addresser and addressee of the cinematographic discourse, and mainly in the interlocutions devoloped among the discoursive actors of the film, principal focalization in this analyzis. Keywords: Syncretism. Passionate Enunciation. Veridictory Discourse. Metalanguage. Romantic Love.Downloads
Published
07/03/2008
Issue
Section
Papers
License
The authors of the approved papers agree to grant non-exclusive publication rights to CASA. Thus, authors are free to make their texts available in other media, provided that they mention that the texts were first published in CASA: Cadernos de Semiótica Aplicada. Besides, they authorize the Journal to reproduce their submission in indexers, repositories, and such. Authors are not allowed to publish the translation of the published paper to another language without the written approval of the Executive Editors. The authors are totally responsible for the content of the published work.