DISCOURSE AND CINEMA: NON-VERBAL (I)MMATERIALITIES AND METAPHORICAL EFFECTS
DOI:
https://doi.org/10.21709/casa.v11i1.6098Keywords:
cinema, non-verbal discursive materiality, memory.Abstract
We seek to understand how the politics is expressed into the non-verbal domain by the analysis of the intertextual relation between two scenes from two movies: the Odessa steps, in Battleship Potemkin (1925) and the train station steps, in The Untouchables (1987). Through the movement of metaphorical effects, a discursive memory works in the De Palma’s movie, pointing out both the filiation and the possibility to talk about non-verbal (i)mmaterialities in Eiseinstein.
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