O corpo nu. Ritmo nos poemas "Leda" e "As Três graças", de Carlos Drummond de Andrade, e nas pinturas de Da Vinci e Rubens

Márcia Maria Sant'Ana Joé

doi:10.21709/casa.v6i1.915

The nude body. Rhythm in poems "Leda" and "The Three graces", of Carlos Drummond de Andrade, and in the paintings of Da Vinci and Rubens

Authors

Márcia Maria Sant'Ana Joé USP – Universidade de São Paulo

DOI:

https://doi.org/10.21709/casa.v6i1.915

Keywords:

semiótica, poema, Carlos Drummond de Andrade, visual, ritmo, semiotic, poem, rhythm.

Abstract

This work intend to analyse the rhythm in two short poems of Carlos Drummond de Andrade, with the titles Leda and The Three graces. Two paintings with the same titles, respectively of Da Vinci and Rubens, are also analysed. Keywords: Semiotic. Poem. Carlos Drummond de Andrade. Visual. Rhythm.

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Published

09/07/2008

Issue

Vol. 6 No. 1 (2008)

Section

Papers

License

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