The blindness of John Milton and Jacques Derrida

Authors

  • Luiz Fernando Ferreira Sá FALE – Universidade Federal de Minas Gerais
  • Miriam Piedade Mansur FALE – Universidade Federal de Minas Gerais

DOI:

https://doi.org/10.21709/casa.v7i1.1769

Keywords:

John Milton, Jacques Derrida, visão, cegueira, escuridão visível, sight, blindness, darkness visible

Abstract

The purpose of this essay on the visual metaphors of Paradise Lost is to demonstrate that John Milton’s phrase “darkness visible” and other lines of Paradise Lost, to a certain extent, adumbrated the post-structuralist stance on vision, that is, the need to mistrust the immediacy of physical sight and to search for a deeper reflection upon the superficiality of images. Milton’s “darkness visible” perspective is compatible, in the view of this essay, with that of Jacques Derrida in his book Memoirs of the Blind (1993). The Algerian-French philosopher proposes two types of blindness: the sacrificial and the transcendental. Through the oxymoron “darkness visible” and the sacrificial and transcendental types of blindness, John Milton and Jacques Derrida can be read alongside each other and point to the reading of “a paradise within” as ultimately associated with “a downward path to wisdom” and to “downcast eyes”.

Author Biographies

Luiz Fernando Ferreira Sá, FALE – Universidade Federal de Minas Gerais

Luiz Fernando Ferreira Sá é Mestre em Literaturas de Expressão Inglesa, Doutor em Literatura Comparada com Pós-Doutorado em Londres. Professor Adjunto de Literaturas de Expressão Inglesa e Literatura Comparada na Fale - UFMG.

Miriam Piedade Mansur, FALE – Universidade Federal de Minas Gerais

Miriam Piedade Mansur é Mestre em Literaturas de Expressão Inglesa, pré-doutoranda em Literatura Comparada e orientanda do prof. Luiz Fernando Ferreira Sá.

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Published

26/07/2009

Issue

Vol. 7 No. 1 (2009)

Section

Papers

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