In(de)finite spaces of settlement and solitude in Batouala, by René Maran

Abstract

The landscape unfolds indefinitely in the novel Batouala and invites us to think or rethink about the human being, the complexity of his relationship with the surrounding world. Placed in a pictorial or scriptural perspective, Rene Maran offers us geographical and physical boundaries, standardized landmarks and at the same time adopts a plurality of codes and signs inherent in a way of life specific to the African society. A story is woven, a mesh between nature and man. Landscape semiology highlights identity criteria that focus on Batouala, the “guardian of obsolete mores”, “faithful to the traditions that his ancestors had bequeathed to him” or on the social and cultural oppression of indigenous populations. Rene Maran’s narrative art recreates a whole world to the point we feel close to it.