ARNALDO ANTUNES, NOW: poetics semiosis and pathemic iconicity
DOI:
https://doi.org/10.21709/casa.v8i1.2939Keywords:
pathemic process, iconicity, poetic semiosisAbstract
This paper discusses the pathemic process through the iconicity in poetic semiosis. According to Charaudeau (2000), this process that brings out emotions from is linked to socio-discursive representations disseminated by human interaction. However, the iconicity (PEIRCE, 2003; JAKOBSON, s/d; SANTAELLA, 2000; SANTAELLA e NÖTH, 2005; PIGNATARI 2004a, 2004b), which causes significant approximations based on similarity, also encourage exacerbated feelings and sensations, by revealing the common Quality of approximate elements. The poetic semiosis, because of its intense significant motivation, becomes a favorable environment for the pathemic process to occur, then, two namesake poems of Arnaldo Antunes, titled "Agora" (1990 and 1993), serve as the corpus to analyze.Downloads
Published
10/09/2010
Issue
Section
Papers
License
The authors of the approved papers agree to grant non-exclusive publication rights to CASA. Thus, authors are free to make their texts available in other media, provided that they mention that the texts were first published in CASA: Cadernos de Semiótica Aplicada. Besides, they authorize the Journal to reproduce their submission in indexers, repositories, and such. Authors are not allowed to publish the translation of the published paper to another language without the written approval of the Executive Editors. The authors are totally responsible for the content of the published work.