CONFLUENCE OF GENRES IN THE FILM <i>DARK WATER</i> BY WALTER SALLES JR

Authors

  • Sérgio Vicente Motta UNESP - Universidade Estadual Paulista (IBILCE)
  • Aparecida do Carmo Frigeri Berchior FAFIBE - Faculdades Integradas Fafibe

DOI:

https://doi.org/10.21709/casa.v10i2.5576

Keywords:

Cinema, Literature, Walter Salles, Metalanguage, Genres.

Abstract

Dark Water is the title of the translation of a short story, “Floating Water”, from the book Honogurai mizu no soko kara by Koji Suzuki, originally published in Japan, that the Japanese director Hideo Nakata adapted for the cinema and that was remade by the Brazilian director Walter Salles Jr. The objective of this study is to analyse Walter Salles’ film to demonstrate how it resolved the problems of transcreation, whilst at the same time it fulfilled commercial and artistic functions and incorporated the traces of its aesthetic trajectory. In this case, attention is drawn to the types of relationship between literature and cinema, to the metalinguistic function as a generator of poetics and of an interesting dialogue between genres.

Published

18/12/2012

Issue

Section

Papers