FALLEN PRINCESSES: A SEMIOTIC ANALYSIS

Authors

  • Maria do Livramento da Silva Dias UFPI – Universidade Federal do Piauí
  • Francisco Wellington Borges Gomes UFPI – Universidade Federal do Piauí

DOI:

https://doi.org/10.21709/casa.v11i2.6552

Keywords:

Semiotics, Sign, Semiosis, Photography.

Abstract

The semiotics proposed by Charles Sanders Peirce, an analysis model used by different fields of knowledge, states that language organizes itself by means of signs.  According to this theoretical background, the apprehension of meaning occurs through the Semiosis, a process in which interpretant, object and representamen are in chain in a cycle of adjacent and distinct categories called firstness, secondness and thirdness.  Peircean semiotics is, therefore, the science of language that seeks to reveal the meaning carried by various types of linguistic manifestations, either imagetic, sonorous or verbal, amongst others.  In this paper, we apply the categories proposed by Peirce (2010) in an analysis of a picture from the Fallen Princesses photographic essay, produced by Dina Goldstein (2013).  We seek, after some theoretical discussion on the key concepts of Peircean Semiotics, to identify the elements in the picture that are responsible for the construction of meaning.

Author Biographies

Maria do Livramento da Silva Dias, UFPI – Universidade Federal do Piauí

Mestranda no Programa de Pós-Graduação em Letras da Universidade Federal do Piauí.

Francisco Wellington Borges Gomes, UFPI – Universidade Federal do Piauí

Doutor em Linguística Aplicada e Professor Adjunto da Universidade Federal do Piauí.

Published

22/01/2014

Issue

Section

Papers