The writing as a headstone in The Barefoot Woman by Scholastique Mukasonga

Authors

  • Érica Antonia Caetano Universidade Estadual de Maringá – UEM, Maringá, Paraná, Brasil

Keywords:

Memory, Denunciation, Preservation, Scholastique Mukasonga, The Barefoot Woman

Abstract

The present study proposes an interpretative analysis of Rwandan author Scholastique Mukasonga’ work The Barefoot Woman. This book was originally published in 2008 (La femme aux pieds nus) and launched in Brazil in 2017. The intention is to think about the role of memory in the novel as a denunciation and an instrument of preservation. This work is based on theoretical studies about memory. The analysis finds that, by merging fiction and memory, the memoir narrative of the Rwandan writer Scholastique Mukasonga symbolically configures the tombstone of her deceased mother Stefania and all the others victims of the genocide in Rwanda.

Author Biography

Érica Antonia Caetano, Universidade Estadual de Maringá – UEM, Maringá, Paraná, Brasil

Professora de língua inglesa na prefeitura de Maringá e tutora a distância do curso de Letras EaD/UEM.

Published

28/10/2021

Issue

Section

Postcolonial literatures and the shapes of the contemporary