Dreamlike and narrative nature of screen texts

Sergey Grigoryev; Natalya Saenko; Polina  Volkova; Natalya  Goncharenko

doi:10.29051/el.v8iesp.1.16930

Autores

Sergey Grigoryev Russian State Agrarian University - Moscow Timiryazev Agricultural Academy (RSAU), Moscow – Russia https://orcid.org/0000-0001-9143-0636
Natalya Saenko Moscow Polytechnic University (MPU), Moscow - Russia https://orcid.org/0000-0003-1814-1840
Polina Volkova The Herzen State Pedagogical University of Russia (HSPU), Saint Petersburg – Russia https://orcid.org/0000-0003-1814-1840
Natalya Goncharenko Volgograd State Medical University (VSMU), Volgograd – Russia https://orcid.org/0000-0003-2512-7545

DOI:

https://doi.org/10.29051/el.v8iesp.1.16930

Palavras-chave:

Cultura de tela, Narrativa, Diálogo, Hipertexto, Cinema

Resumo

Defende-se que a narrativa em tela é o meio mais eficaz de representar o sonho, a tentação do voyeurismo. Nota-se no artigo um movimento histórico gradual de uma narração em tela desde a obra literária com tramas relacionadas ao sonho e ao onírico como a poética de um futuro filme. O longa-metragem do diretor francês François Ozon "Na Casa" (2012) é analisado. São consideradas as características pós-modernas da poética e da semiótica do filme. Um modelo "o narrador e o ouvinte" é proposto como interpretação semiótica do filme.

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Biografia do Autor

Sergey Grigoryev, Russian State Agrarian University - Moscow Timiryazev Agricultural Academy (RSAU), Moscow – Russia

Department of Philosophy. Associate Professor. PhD in Philosophy.

Natalya Saenko, Moscow Polytechnic University (MPU), Moscow - Russia

Professor. Doctor of Science in Philosophy.

Polina Volkova, The Herzen State Pedagogical University of Russia (HSPU), Saint Petersburg – Russia

Professor. Doctor of Science in Philosophy.

Natalya Goncharenko, Volgograd State Medical University (VSMU), Volgograd – Russia

Associate professor. PhD in Philology.

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