Dreamlike and narrative nature of screen texts

Sergey Grigoryev; Natalya Saenko; Polina  Volkova; Natalya  Goncharenko

doi:10.29051/el.v8iesp.1.16930

Autores/as

Sergey Grigoryev Russian State Agrarian University - Moscow Timiryazev Agricultural Academy (RSAU), Moscow – Russia https://orcid.org/0000-0001-9143-0636
Natalya Saenko Moscow Polytechnic University (MPU), Moscow - Russia https://orcid.org/0000-0003-1814-1840
Polina Volkova The Herzen State Pedagogical University of Russia (HSPU), Saint Petersburg – Russia https://orcid.org/0000-0003-1814-1840
Natalya Goncharenko Volgograd State Medical University (VSMU), Volgograd – Russia https://orcid.org/0000-0003-2512-7545

DOI:

https://doi.org/10.29051/el.v8iesp.1.16930

Palabras clave:

Cultura de la pantalla, Narrativa, Diálogo, Hipertexto, Cine

Resumen

Se argumenta que la narrativa cinematográfica es el medio más efectivo para representar el ensueño, la tentación del voyerismo. Se nota en el artículo un movimiento histórico gradual de una narración en pantalla desde una obra literaria con tramas relacionadas con el sueño hasta la oniricidad como la poética de una película futura. Se analiza el largometraje del director francés François Ozon "In the House" (2012). Se consideran las características posmodernas de la poética y la semiótica del cine. Se propone un modelo "el narrador y el oyente" como interpretación semiótica de la película.

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Biografía del autor/a

Sergey Grigoryev, Russian State Agrarian University - Moscow Timiryazev Agricultural Academy (RSAU), Moscow – Russia

Department of Philosophy. Associate Professor. PhD in Philosophy.

Natalya Saenko, Moscow Polytechnic University (MPU), Moscow - Russia

Professor. Doctor of Science in Philosophy.

Polina Volkova, The Herzen State Pedagogical University of Russia (HSPU), Saint Petersburg – Russia

Professor. Doctor of Science in Philosophy.

Natalya Goncharenko, Volgograd State Medical University (VSMU), Volgograd – Russia

Associate professor. PhD in Philology.

Citas

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