Poetic manner of the genre of poetical reminiscences in the works by A. S. Pushkin
DOI:
https://doi.org/10.29051/el.v7iesp.7.16305Keywords:
Lyrics, Genre, Compositional semantic unity, Genre phenomenonAbstract
The article based on a comparison of two poetical reminiscences (Recollections in Tsarskoe Selo (1814) and Remembrance per se (1828)) by A. S. Pushkin provides an extended genre analysis, in which central is not only compositional and thematic unity but also “genre-determining” and “genre-forming factors” (V. M. Golovko). The comparative-contrastive analysis structural-functional analysis are used to meet the aim of the study. As a result, it becomes evident that despite the free reflection of the internal psychological state not conditioned by any textual “obligations,” inherent in poetical recollection in general, nevertheless, in the genre terms, Remembrance has a special independent set of features that makes it possible to identify it as an autonomous genre formation. Remembrance (1828) can be considered a “transitional” in the genre relation from the elegy to the poetical “reminiscence” per se, since it outlines its features of poetics.
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