n.36, 2013

Presentation

Apresentação

Ana Luiza Silva Camarani, Maria Lúcia Outeiro Fernandes
- PDF (Português (Brasil))

Literatura & Cinema

From the intersemiotic translation to the intercultural adaptation theory: state of the art and future perspectives

Marcel Alvaro de Amorim
- PDF (Português (Brasil))
Literature, film and other textual architectures: some observations on theories of adaptation

Álvaro Hattnher
- PDF (Português (Brasil))
From verbal to visual: strategies of enunciation in two narratives of horror

Odair José Moreira da Silva
- PDF (Português (Brasil))
The playwright as a translator of himself: Doubt, a Parable on the page and on the screen

Sandra Sirangelo Maggio, Valter Henrique Fritsch
- PDF
The figure of the writer in Midnight in Paris by Woody Allen

Marcos C. P. Soares
- PDF (Português (Brasil))
"I don't tell the truth. I tell what ought to be the truth": escaping censorship through ambiguity in Elia Kazan's adaptation of A streetcar named desire

José Carlos Felix, Charles Albuquerque Ponte
- PDF (Português (Brasil))
Screening Jane Austen's Northanger Abbey: adaptation as (mis)interpretation

Genilda Azerêdo
- PDF
Remissive and digressive adaptation: the transposition of metafiction to the cinema

Brunilda Reichmann
- PDF (Português (Brasil))
García Márquez on the semiotic traffic: dialogues between literature and cinema

Wellington R. Fioruci
- PDF (Português (Brasil))
“But many suns had already gone down”: Caramuru revisited, Brazil (re) invented

Luciana Borges, Silvana Augusta Barbosa Carrijo
- PDF (Português (Brasil))
João do Rio and the Cinematographo: first modernity and early cinema

Adalberto Müller
- PDF (Português (Brasil))
Music in Memórias do cárcere

Paulo Roberto Ramos
- PDF (Português (Brasil))
25 Photograms: the interface literature/cinema in the novel O fotógrafo, by Cristóvão Tezza

Barbara Cristina Marques
- PDF (Português (Brasil))
Trade-Offs between literature and film: the relation between the characterization of the main character in “O Sobrado” and Netto perde sua alma

Mateus da Rosa Pereira
- PDF (Português (Brasil))

Varia

The function of the letters in l’Histoire d’Adele H. by François Truffaut (1975)

Patrice Bougon
- PDF (Português (Brasil))
The presence of the author: autofictions by Ricardo Lísias and Lúcia Murat

Julia Scamparini
- PDF (Português (Brasil))
Monsters and margins – from the chapbook to the comic book

Ana Margarida Ramos
- PDF (Português (Brasil))

Reviews

Estúdio, ateliê e laboratório

Ricardo Gaiotto de Moraes
- PDF (Português (Brasil))
A "luta dos discursos" em Lima Barreto

Áureo Joaquim Camargo
- PDF (Português (Brasil))
A indústria radical

Fernando Morato
- PDF (Português (Brasil))

Dissertations and thesis

Dissertações e teses

Programa de Pós-Graduação em Estudos Literários
- PDF (Português (Brasil))

Full Issue

Presentation

Apresentação

Literatura & Cinema

From the intersemiotic translation to the intercultural adaptation theory: state of the art and future perspectives

Literature, film and other textual architectures: some observations on theories of adaptation

From verbal to visual: strategies of enunciation in two narratives of horror

The playwright as a translator of himself: Doubt, a Parable on the page and on the screen

The figure of the writer in Midnight in Paris by Woody Allen

"I don't tell the truth. I tell what ought to be the truth": escaping censorship through ambiguity in Elia Kazan's adaptation of A streetcar named desire

Screening Jane Austen's Northanger Abbey: adaptation as (mis)interpretation

Remissive and digressive adaptation: the transposition of metafiction to the cinema

García Márquez on the semiotic traffic: dialogues between literature and cinema

“But many suns had already gone down”: Caramuru revisited, Brazil (re) invented

João do Rio and the Cinematographo: first modernity and early cinema

Music in Memórias do cárcere

25 Photograms: the interface literature/cinema in the novel O fotógrafo, by Cristóvão Tezza

Trade-Offs between literature and film: the relation between the characterization of the main character in “O Sobrado” and Netto perde sua alma

Varia

The function of the letters in l’Histoire d’Adele H. by François Truffaut (1975)

The presence of the author: autofictions by Ricardo Lísias and Lúcia Murat

Monsters and margins – from the chapbook to the comic book

Reviews

Estúdio, ateliê e laboratório

A "luta dos discursos" em Lima Barreto

A indústria radical

Dissertations and thesis

Dissertações e teses

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