Genre-thematic features of a fiction-documentary story in the adyghe (adyghe, kabardian, and circassian) literatures

Abstract

The study of the moral, aesthetic, spiritual, historical, and cultural characteristics in any nation through the analysis of national fiction is an essential method to understand modern society since reality is the object of its representation. Therefore, in this presented article, attempts are made to identify the peculiarities of the worldview of a modern artist, stable models for constructing a fictional documentary text, and the variety of authentic and conventional imagery in the genre of the story.It should be emphasized that this genre recreates a holistic picture of the ethnocultural development of the Adyghe peoples (Adyghe, Kabardians, Circassians), reflecting their spiritual heritage, which makes it possible to take a worthy place in the literary process of the 20th century. The relevance of the research is determined by its innovative nature associated with the analysis of unexplored works of the Adyghe literature. According to the study results, it was concluded that the study of the tendency in the development of national literature from the point of view of borrowing aesthetic experience, structural models, motives, images, artistic and visual means, and methods of oral folk art, it also has features that bring them closer to the documentary prose of the literature North Caucasus folks. The results obtained have theoretical significance for the further coverage of national literature. They can provide significant practical guidance during the research of the historical dynamics of national literature in the context of interaction with the literature of other ethnic groups of the Russian Federation and in the preparation of special courses in universities and colleges.