n.47, 2018

View n.47, 2018

Published: 27/02/2019

Full Issue

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Presentation

Apresentação

Cido Rossi, Luciana Colucci
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The Gothic and Women

The Gothic novel and the women: matters of sexual politics

Daniel Serravalle de Sá
- PDF (Português (Brasil))
Virginia Woolf and the Gothic

Maria Aparecida de Oliveira
- PDF (Português (Brasil))
The monster’s voice

Guilherme Copati
- PDF
Representations of women in The Great God Pan, by Arthur Machen

Shirley de Souza Gomes Carreira
- PDF (Português (Brasil))
The autorship of female gothic revered in The Merciful Women, by Federico Andahazi

Fábio Lucas Pierini, Ana Cláudia Paschoal
- PDF (Português (Brasil))
Gothic Imaginary and Political Intentionality in José Mármol’s Amalia

Carlos Ferrer Plaza
- PDF (Español (España))
From the damsel in distress to the female hero: the wanderings of Christine Daaé in Gaston Leroux’s The Phantom Of The Opera and its last film adaptation

Caroline Navarrina de Moura, Lis Yana de Lima Martinez, Lucia Sá Rebello
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The Gothic Genre in Gone home: an analysis in the light of intertextuality

Naiara Sales Araújo, Ludmila Gratz Melo
- PDF (Português (Brasil))
Lady of Darkness: The “romantic horrible beauty” and the image of female monstruosity in Emily of Corpse Bride

Adriana Carvalho Conde
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Roots of medieval horror to woman’s demonic maleficence: some exemplary cases

Pedro Carlos Louzada Fonseca
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Varia

The antique clock of Cassiano Ricardo

Samanta Rosa Maia
- PDF (Português (Brasil))
The beauty of gesture: (mis)matches between the ethics of art and the aesthetics of life

Marcela Ulhôa Borges Magalhães
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Haroldo de Campos, the tradition and his precursors. Some points of contact with Octavio Paz

Jorgelina Rivera
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Reviews

O apagamento das mulheres editoras

Ana Elisa Ribeiro
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