n. 49, 2019

Presentation

Apresentação

Gilberto Figueiredo Martins, Renata Soares Junqueira
- PDF (Português (Brasil))

The cinema and its doubles

Tightrope: the representation of childhood in the adaptation of the literary work to the cinema

Alice Atsuko Matsuda, Alcioni Galdino Vieira
- PDF (Português (Brasil))
Between the Primeiras and the Outras estórias: an analysis of the transcreation of Rosa’s backwoods in the film by Pedro Bial

Andreia Carla Lopes Aredes
- PDF (Português (Brasil))
Maximilian Kolbe on the stage: the problematics of witness in Maximilian Kolbe: martyr of charity and The birds of the night

Carlos Eduardo dos Santos Zago
- PDF (Português (Brasil))
Angolan present, mumuíla time: beyond the ethnographic film

Christian Fischgold
- PDF (Português (Brasil))
Estorvo: a visual metaphor for liquid modernity

Danielle Ferreira Costa, Maria Luiza Berwanger da Silva
- PDF (Português (Brasil))
Rogerio Duprat’s music in Walter Hugo Khouri’s filmography: Noite vazia and As amorosas

Itamar Vidal Junior, Paulo José de Siqueira Tiné
- PDF (Português (Brasil))
Joaquim Pedro de Andrade and Modernism

Ivan Francisco Marques
- PDF (Português (Brasil))
- PDF (Português (Brasil))
Disfigurements in Dead man, by Jim Jarmusch

Lilian Reichert Coelho
- PDF (Português (Brasil))
Cinema’s artistic-industrial ambiguity: discussions about aesthetics, market, industry and authorship

Paula Regina Siega
- PDF (Português (Brasil))
Cinema, Literature, and Painting in São Bernardo, by Leon Hirszman

Paulo Roberto Ramos
- PDF (Português (Brasil))
Montage as constructive procedure in Boquitas pintadas, by Manuel Puig, and Onde andará Dulce Veiga?, by Caio Fernando Abreu

Wanderlan Alves
- PDF (Português (Brasil))

Varia

The role of iconography in The Temptation of Saint Anthony, by Gustave Flaubert

Andrei Fernando Ferreira Lima
- PDF (Português (Brasil))
The critical fiction of difference and repetition in Memorial do fim

Paulo Alberto Da Silva Sales
- PDF (Português (Brasil))

Full Issue

Presentation

Apresentação

The cinema and its doubles

Tightrope: the representation of childhood in the adaptation of the literary work to the cinema

Between the Primeiras and the Outras estórias: an analysis of the transcreation of Rosa’s backwoods in the film by Pedro Bial

Maximilian Kolbe on the stage: the problematics of witness in Maximilian Kolbe: martyr of charity and The birds of the night

Angolan present, mumuíla time: beyond the ethnographic film

Estorvo: a visual metaphor for liquid modernity

Rogerio Duprat’s music in Walter Hugo Khouri’s filmography: Noite vazia and As amorosas

Joaquim Pedro de Andrade and Modernism

Disfigurements in Dead man, by Jim Jarmusch

Cinema’s artistic-industrial ambiguity: discussions about aesthetics, market, industry and authorship

Cinema, Literature, and Painting in São Bernardo, by Leon Hirszman

Montage as constructive procedure in Boquitas pintadas, by Manuel Puig, and Onde andará Dulce Veiga?, by Caio Fernando Abreu

Varia

The role of iconography in The Temptation of Saint Anthony, by Gustave Flaubert

The critical fiction of difference and repetition in Memorial do fim

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