Vol. 52 No. 1 (2012)

• Apresentação

  • PDF (Português (Brasil))

Contributions

• The narrator in the novel and (auto)biographical self-writing: fiction and reality at the service of experience

  Darlan Roberto dos Santos

  • PDF (Português (Brasil))

• For a “definitive/infinite” kind of writing

  Adriana Helena de Oliveira Albano

  • PDF (Português (Brasil))

• The myth of Ulisses in Se questo è un uomo

  Claudia Fernanda de Campos Mauro

  • PDF (Português (Brasil))

• Testimony, extimacy, and Primo Levi’s writings

  Lucíola Freitas de Macêdo

  • PDF (Português (Brasil))

• Autobiography, memory and revolutionary commitment in Olivier Rolin’s Tigre en papier [Paper Tiger]

  Érica Milaneze

  • PDF (Português (Brasil))

• Biographic self-fiction in Philip Roth

  Paulo Paniago

  • PDF (Português (Brasil))

• The invisible backness of Harryette Mullen's poetry: writing, miscegenation and what remais to be seen

  Lauro Maia Amorim

  • PDF

• Fazes-me falta: a study of the Portuguese contemporary novel

  Sandra Beatriz Reckziegel

  • PDF (Português (Brasil))

• The enigma of Goethean personality, its appropriation and mimicking in the essays on Goethe and in the novel Lotte in Weimar, by Thomas Mann

  Marco Antônio A. Clímaco

  • PDF (Português (Brasil))

• Poets do not live on daisies: the matter of money on the Portuguese romantic poetry

  Eduardo da Cruz

  • PDF (Português (Brasil))

• Literature and Cinema: the gap in Luchino Visconti’s adaptation of The Leopard

  Leonardo Telles Meimes

  • PDF (Português (Brasil))

• Expediente

  • PDF (Português (Brasil))