n.20 (1), 2019

• Apresentação

  Guacira Marcondes Machado

  • PDF (Português (Brasil))

Artigos

• “l’onde et L’ombre” in the novel Les Misérables: the figuration of misery in Victor Hugo’s poetic prose

  Maria Júlia Pereira

  • PDF (Português (Brasil))

• Representations of the faustian myth in Balzac: the pact in the age of the capital

  Regina Cibelle de Oliveira

  • PDF (Português (Brasil))

• The feminine figure in some poems of Paris Spleen, by Charles Baudelaire

  Dieumettre Jean

  • PDF (Português (Brasil))

• Guy de Maupassant, from author to critic of french naturalism

  Angela das Neves

  • PDF (Português (Brasil))

• French aestheticism at the end of the 19th century: orbiting Baudelaire

  Rangel Gomes de Andrade, Adalberto Luis Vicente

  • PDF (Português (Brasil))

• The brazilian criticism in the face of the huysmansian novel À Rebours

  Glaucia Benedita Vieira

  • PDF (Português (Brasil))

• “La gent irritable – La trêve”, by Saint-Pol-Roux: a translation

  Camila Soares López

  • PDF (Português (Brasil))

• The feminine figure in the french imaginary of the 19th century

  Kedrini Domingos dos Santos

  • PDF (Português (Brasil))

• The irony in the female characters of the work Tomorrow’s Eve, by Villiers de l’Isle-Adam

  Samara Beatriz de Oliveira Paradello, Norma Domingos

  • PDF (Português (Brasil))

• Francophony through the female voices of Leïla Sebbar and Malika Mokeddem

  Ana Paula Dias Ianuskiewtz

  • PDF (Português (Brasil))

Resenha

• Nova tradução do Spleen de Paris

  Matheus Victor Silva

  • PDF (Português (Brasil))