Ensemble and orchestral types of music-making by clarinetists as pedagogical technologies

Authors

DOI:

https://doi.org/10.22633/rpge.v26i00.16466

Keywords:

Anthropometric characteristics, Sprinters, Jumpers, Athletics, Education

Abstract

The research deals with the pedagogical problem of using collective music-making. Evaluation results of pedagogical observation in two groups of 1st year students in the music university were used as research materials. The representative sample was composed by 75 students selected by mechanical sampling. The research methodology includes the methods of general scientific group, and special methods: content analysis of scientific literature, the method of included pedagogical observation, the method of statistical analysis using the advanced analytics program Neural Designer. In conclusion, the introduction of an educational ensemble and an orchestra into the process of learning to play the clarinet makes it possible to enrich the musical-theoretical and practical performing experience of clarinet students, to maximize the genre-thematic, technical, educational and artistic concert repertoire of clarinetists, to form in the participants of the experimental educational ensemble analytical variant thinking and the ability to make a single interpretation and performance decision.

Downloads

Download data is not yet available.

Author Biography

Zhang Hao, The Gnesins Russian Academy of Music, Moscow – Russia

Clarinet magistracy 2 course.

References

APRIAMOV, V. M. Methodical bases of music-making of clarinetists in an ensemble. South Russian Musical Almanac, v. 2, p. 83-96, 2017.

BATTIPAGLIA, V. A. The double-lip embouchure in clarinet playing. Journal of New Music Research, n. 49, n. 8, p. 36-49, 2019.

BORODINA, T. I. The role of the chamber ensemble in the education of performing musicians. Bulletin of the Tambov University. Series: Humanities, v. 4, p. 10-25, 2017.

ELLSWORTH, J. The Clarinet. Routledge, 2021. 308 p.

FROLOVA, N. A. The Pedagogical Potential of Modern Auto-didactics in the Process of Performing Training of Music Students. Siberian Pedagogical Journal, v. 1, p. 2-7, 2015.

GABRIEL, J. D.; COYLE, W. L. A method for automatic detection of tongued and slurred note transitions in clarinet playing. The Journal of the Acoustical Society of America, v. 146, n. 3, p. 238-244, 2019.

GABRIEL, J. D.; COYLE, W. L. Detecting articulations in clarinet playing. The Journal of the Acoustical Society of America, v. 145, n. 3, p. 1677-1689, 2019.

GORDEYEVA, E. V. The Practice of Ensemble Music-Making and the Baroque Clavier Musical Text. ICONI, n. 1, p.135-149, 2019.

HINTON, J. T. The clarinet (a teachers’ and students’ guide to the clarinet and clarinet playing). The world of science, culture, education, v. 6, p. 17-26, 2021.

KAMINSKAYA, E. A.; DEDOV, S. V. Music-making in a mixed ensemble as a pedagogical problem. The world of science, culture, education, v. 6, p. 187-190, 2021.

LAWRENCE, S. L. The status of the American school of clarinet playing. In book: BBC Music micro-bit Recipes, p. 247-275, 2021.

MINI, Z. The national style of variations on the themes of Subei for clarinet and piano by Zhang Wu in the context of Chinese composer’s creativity in 1949-1966. Manuscript, v. 10, p. 3-14, 2021.

NORTH, V. M. A handbook of suggestions for solutions to problems of beginners in clarinet playing. Journal of New Music Research, v. 52, n. 12, p. 16-28, 2020.

OLMOS, A.; BOUILLOT, N. A High-Fidelity Orchestra Simulator for Individual Musicians’ Practice. Computer Music Journal, v. 36, n. 2, p. 55-73, 2020.

PÀMIES-VILÀ, M.; HOFMANN, A. The influence of the vocal tract on the attack transients in clarinet playing. Journal of New Music Research, v. 49, n. 4, p. 1-10, 2020.

RASH B. In discussion: the clarinetists of Chineka. The Clarinet, v. 47/4, p. 32-49, 2020.

RYBALKO, E. A. Collective music-making as one of the directions of general musical education. Manuscript, v. 10, p. 15-21, 2021.

SCOTT, S. J. Playing Musical Instruments: A Resource for Teachers. In: Music Education for Children with Autism Spectrum Disorder. 2020. p. 169-210.

SERKOV, K. S. Playing in an ensemble as the most important component of learning to play wind instruments. Bulletin of musical science, v. 1, p. 151-157, 2020.

SLIS, A.; WOLAK, K.; NAMASIVAYAM, A. An exploratory study into different types of articulation in clarinet playing. A comparative analysis of tongue action in single-, double, and side-to-side staccato articulation types on the clarinet. 2017. 206 p.

STEPENKO, E. A. Constructive Interaction of Teacher and Student in the Process of Learning to Play the Clarinet as a Condition for Formation of Ensemble Music Culture. Uchenye Zapiski RGSU, v. 20, n. 2, p. 139-147, 2021.

TAILLARD, T. A. Theoretical and experimental study of the role of the reed in clarinet playing. Etude théorique et expérimentale du rôle de l'anche dans le jeu de la clarinette, v. 3, p. 27-39, 2018.

WEISS, A. E.; NUSSECK, M.; SPAHN, C. Motion types of ancillary gestures in clarinet playing and their influence on the perception of musical performance. Journal of New Music Research, v. 47, n. 6, p. 1-14, 2018.

YU, Z. Some milestones in the historical evolution of the clarinet: on the way to world fame. South Russian Musical Almanac, v. 2, p. 78-82, 2017.

ZAGURSKY, V. I. Vocal-ensemble component in the preparation of a musician: technological processes and creative principles. Scientific notes of the Crimean Federal University named after V. I. Vernadsky. Sociology. Pedagogy. Psychology, v. 3, p. 102-126, 2021.

Published

31/03/2022

How to Cite

HAO, Z. Ensemble and orchestral types of music-making by clarinetists as pedagogical technologies. Revista on line de Política e Gestão Educacional, Araraquara, v. 26, n. 00, p. e022016, 2022. DOI: 10.22633/rpge.v26i00.16466. Disponível em: https://periodicos.fclar.unesp.br/rpge/article/view/16466. Acesso em: 21 nov. 2024.