Bodily aesthetics in art and education
the concept of the ideal body from renaissance painting to modern sports and physical education
DOI:
https://doi.org/10.22633/rpge.v30iesp1.20939Keywords:
Bodily aesthetics, Art, Education, Physical educationAbstract
This article investigates how bodily aesthetics evolved from an artistic ideal into an ideological and educational construct, interpreting this transformation through the combined lenses of art history, sport sciences, and physical education. The theoretical framework integrates Panofsky’s iconological approach, Foucault’s notion of the “disciplined body,” and Bordo’s feminist critique of corporeality to analyze how aesthetic ideals are produced, transmitted, and internalized. By bridging art historical analysis with the sociology of sport, performance, and pedagogy, this study proposes an interdisciplinary reading of bodily representation as a site of cultural and educational power. Particular attention is given to physical education as a key mechanism through which ideal body norms are taught, assessed, and normalized across historical periods. Ultimately, the “ideal body” is reconsidered not as a static form of beauty, but as a historically contingent construct shaped by artistic traditions, performance cultures, and pedagogical systems through which modern societies regulate, aestheticize, and internalize discipline.
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